o ewigkeit, du donnerwort chorale

Ach, nimm dies wohl zu Herzen | Sources Its melody begins with an unusual whole-tone sequence which inspired Alban Berg in the 20th century to incorporate Bach's setting in his Violin Concerto. It is written in the style of a French overture: fast-slow-fast. Ach, fliehe doch des Teufels Strick! Ich weiß vor großer Traurigkeit | Chorales BWV 250-438 (... from now on). Check out O Ewigkeit, du Donnerwort, BWV 20: Part II: Chorale: O Ewigkeit, du Donnerwort (Chorus) by Siri Karoline Thornhill on Amazon Music. O eternal, eternal is too long, / 2 violins / viola / and / continuo / by / Joh.Sebast:Bach). Als anfangs sie beschaffen war, here there is really no jesting: | Chorales - H. Rilling Engaged & engaging - Bach, the Universe and Everything - Bach Cantata BWV 60 'O Ewigkeit, du Donnerwort'; Orchestra of the Age of Enlightenment; King Planet Hugill: O Ewigkeit, du Donnerwort: Music, neuroscience and fear of death in OAE's Bach, the Universe and Everything to give you your reward! O you accursed child of mankind that finally does not cease with time Zusamt des Teufels Wüten! For the sake of this do you want Noch endlich sollte währen, O eternity, you make me afraid, so that my tongue clings to my gums. O Schwert, das durch die Seele bohrt, Details and Recordings Es wird sie plagen Kält und Hitz, Wake up, it is high time, Ja, wie mein Heiland selber spricht: Ein kläglichs Leben führet; Ganz grausamlich gemartert bist, | Cantatas BWV 1-50 Indeed, as my saviour himself says: Hie Menschen sich ernähren, Viel hundert tausend, tausend Jahr Original source: Cantata, O Ewigkeit, du Donnerwort, BWV 20 (bach–digital page) Chorale Text: O Ewigkeit, du Donnerwort (verse 11, 16), by Johann Rist (1642) Tune: O Ewigkeit, du Donnerwort, by Johann Crüger (1653), an adaptation of Johann Schop’s … a certain and definite end. 1723 in Leipzig First Perf ormance. Wenn Gott nicht mehr wird ewig sein. | Other Vocal BWV 225-249 Before everything keep in mind My Jesus comes; good night now, o world! Aria (alto, tenor): Mein letztes Lager will mich schrecken Recitativo (alto, bass): Der Tod bleibt doch der menschlichen Natur verhaßt Chorale: Es ist genung Year/Date of Composition Y/D of Comp. The unknown librettist[3] of the cantata saw the Gospel story as foreshadowing the resurrection of Jesus. In the hymn books of Bach’s time Rist’s poem is usually printed with sixteen stanzas. In movement 4, Fear is answered instead by the bass, the vox Christi (voice of Christ), with "Selig sind die Toten". Und seufzet nach dem lieben Tag. 60 "O Ewigkeit, Du Donnerwort" Duet "O Ewigkeit, Du Donnerwort" Recitative "O Schwerer Gang Zum Letzten Kampf" Duet "Mein Letztes Lager Will Mich Schrecken" Recitative "Der Tod Bleibt Doch Der Menschlichen Natur Verhaßt" Chorale "Es Ist Genug" | Hidden Chorale Melody Allusions [T. Braatz] Die können ja nicht ewig sein. Herr Jesu, in dein Freudenzelt! 3. Dafür wilt du dein arme Seel Lord, I wait for Your Salvation. Und bessre bald dein Leben! that is greater than a thousand hangmen o beginning that has no end! Wake up, o man, from the sleep of sin, mad with sin, blind in heart, | Chorales BWV 351-400 [3][7] Two biblical quotations are juxtaposed in the first and fourth movements. Ermuntre dich, verlornes Schaf, Title: O Ewigkeit, du Donnerwort, BWV 60 (a title shared with Cantata 20) Composer: Johann Sebastian Bach. / Hope. the long night about which you have been warned beforehand. [13][16][17], The original parts of the cantata have survived. The first duet is a chorale fantasia with added biblical text. Take me, whenever it pleases you, O Ewigkeit, du Donnerwort (O eternity, you word of thunder),[1] BWV 60, is a church cantata for the 24th Sunday after Trinity composed by Johann Sebastian Bach. Texts & Translations: | Choral / Chorale [C.S. were to go on for as many years Details; Discussion; Add to Cart. Ah, what is that? Hast du so lange Pein bestellt! [13], Chafe concludes a thorough analysis of the cantata and the chorale with the summary that "in developing and intensifying traditional, even archaic, ways of understanding music [...] Bach carried them far into the future, opening up questions for the analysis, interpretation, and composition of music that are very much with us and are probably timeless". Bach's Vocal Work. The second and third movements are respectively a recitative and an aria. Recht fürstlich ist gezieret, | Part 2 Log in to edit; Open edits; Editing history; Last updated on 2014-06-24 19:02 UTC. Imprisonment, torture, anguish and pain who can scarcely live for fifty years- (O difficult way to the final battle and struggle! O ewig, ewig ist zu lang, The first movement, "Herr, ich warte auf dein Heil" (Genesis 49:18),[3] spoken by Jacob on his deathbed, expresses hope against the fear conveyed in the chorale. Hell’s pain External links. In O Ewigkeit, du Donnerwort, he assigned Fear to the alto and Hope to the tenor, and has them sing three movements in dialogue. Chorale "O Ewigkeit, du Donnerwort" Work information Type: Cantata Lyrics Languages: German Key: F major Rating. and this inconceivable suffering of theirs Ah, take this to heart, Die Marter bleibet immerdar, | Part 6 Bach had composed a similarly structured cantata three weeks before, entitled Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109, which also featured a dialogue between Fear and Hope, given to one singer. | Part 4 [4], This article is about Bach's 1723 cantata. | Geistliche Lieder BWV 439-507 [8][9], Bach structured the cantata in five movements: four duets of alternating arias and recitatives, concluding with a four-part chorale. Eternity comes upon you Bach: you have appointed so long a pain. Chorale It is enough: Lord, if it pleases You, then release me! O Ewigkeit, du Donnerwort, o Schwert, das durch die Seele bohrt, o Anfang sonder Ende! Wach auf, es ist doch hohe Zeit, Individual Recordings: Hilliard - Morimur Liegt einer krank und ruhet gleich Ah, ah shall the pain of hell Sie kann sich nicht vermindern. O sinner, your wrongdoing / á / 4 Voci. Mein ganz erschrocknes Herz erbebt, [4] A repeat performance of the earlier cantata took place sometime after 1735, by a continuo part from that time. will go on throughout eternity. 2. Author: Johann Rist (1642) English Translation by Francis Browne (December 2003) If the great torment of the damned Wird nicht wie Leibes Krankheit sein Sie treibet fort und fort ihr Spiel, It is one of Bach's dialogue cantatas: its topic, fear of death and hope of salvation, plays out mainly through a conversation between two allegorical figures, Fear (sung by an alto voice) and Hope (sung by a tenor). Texts: My heart completely terrified shudders Es ist ein Arbeit sonder Ruh, Pracht, Hoffart, Reichtum, Ehr und Geld Dir länger nicht gebieten! Die Ewigkeit nur hat kein Ziel, [3], In O Ewigkeit, du Donnerwort, solo voices perform all movements but the closing chorale. O Anfang sonder Ende! Circle and label the non-chord tones: Links to other levels of this chorale: Analysis 2: O Ewigkeit, du Donnerwort Bass line 2: O Ewigkeit, du Donnerwort Counterpoint 2: O Ewigkeit, du Donnerwort Diversity example 2: O Ewigkeit, du Donnerwort time is brief, death swift. O Ewigkeit, Zeit ohne Zeit, [2][3] A year later, Bach composed a chorale cantata on the complete chorale, O Ewigkeit, du Donnerwort, BWV 20, for the first Sunday after Trinity as part of his chorale cantata cycle, while BWV 60 is part of his first cantata cycle. [13][14] During Ahle's time, it was an extreme musical figure, suitable to depict "the soul's crossing over from life into death". The editor was Wilhelm Rust. Die Zeit, so niemand zählen kann, then he hates such splendour o beginning that has no end! will not be like bodily illness Hernachmals in des Teufels Höhl | Part 8 Genres (none) Other tags (none) See all tags. O Ewigkeit, du machst mir bang, I am terrified from the bottom of my heart. Wer weiß noch, wie man sterben mag? where I should turn. Was wär es, wenn gleich ein Tyrann, Solang ein Gott im Himmel lebt Herr, ich warte auf dein Heÿl. Historically, the form developed, obviously, in France, and was meant to serve as the entry of a king. will face wrath and fury, Look towards the great assurance, had me shut away up to the end? | Texts & Translations of Chorales BWV 250-438 Ohn Ende dich betrüben? He counts every stroke of the clock Gefängnis, Marter, Angst und Pein [2] John Eliot Gardiner connects the tremolo to Monteverdi's agitated style (stile concitato). (B) What there Isaiah did once foretell, That is in Bethlehem fulfilled. So manches Jahr, als an der Zahl He began with O Ewigkeit, du Donnerwort and went on to compose forty chorale cantatas in that cycle until Palm Sunday of 1725. | Part 2 Chorale: Solang ein Gott im Himmel lebt Aria (bass): Gott ist gerecht in seinen Werken 6. / 2 Hautb: d’Amour. he leads a miserable life. After 1800, they belonged to Count Voss-Buch. Soll währen bis in Ewigkeit! The chorale is followed only by texts: a wedding poem, ‘a few lines’ for basso continuo and the complete words to the ‘Tobackspfeife’ aria, BWV 515. It is enough. [4][3] The cantata was published in the New Bach Edition in 1968, edited by Alfred Dürr. [2] Three different sections are developed in a similar way: Fear begins, "Mein letztes Lager will mich schrecken" (My final bier terrifies me),[1] Hope answers, "Mich wird des Heilands Hand bedecken" (My Savior's hand will cover me),[1] both argue, and Hope has the last word. [8] The two oboes play a "lamenting" duet. and yet not consume them. experiences neither comfort nor a way out. | Other Vocal Works BWV 225-248 Erschreck ich recht von Herzen. It was first performed in Leipzig on 7 November 1723, and is part of Bach's first cantata cycle. | The Chorale in the Church Service [A. Schweitzer] 12: Tooting / Winchester, International Music Score Library Project, J. S. Bach: Texts of the Complete Vocal Works with English Translation and Commentary by Z. Philip Ambrose (University of Vermont), Chapter 26 BWV 60 O Ewigkeit, du Donnerwort / Oh, eternity, word of thunder, The Cantatas of Johann Sebastian Bach: A listener and student guide by Julian Mincham, https://en.wikipedia.org/w/index.php?title=O_Ewigkeit,_du_Donnerwort,_BWV_60&oldid=995113573, Pages using infobox musical composition with unknown parameters, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 December 2020, at 08:31. Im Bette, das vom Golde reich The time, that no one can count, in the burning slough of sorrows! | Chorales in Bach Cantatas: Part 1 The torture remains forever [2], The third, central duet is dramatic and therefore not in da capo form but closer to a motet, unified by the instrumental ritornellos. Laß ab die Welt zu lieben! Product Information Chorale composed by Johann Sebastian Bach - Digital Sheet Music BWV 513 "O Ewigkeit, Du Donnerwort!" Und über alle Wolken schwebt, there is still no end at hand. 5. Aus ihr ist kein Erlösung nicht. for a hundred thousand thousand years In O Ewigkeit, du Donnerwort, he assigned Fear to the alto and Hope to the tenor, and has them sing three movements in dialogue. The first four movements are duets. Das endlich mit der Zeit nicht fällt Part 1 O Sünder, deine Missetat Carus-Verlag produced a new critical edition in 1998, edited by Ulrich Leisinger. Da mehr denn tausend Henker sein, The cantata closes with a four-part setting of Franz Joachim Burmeister's chorale "Es ist genug". | The Origin of the Melodies of the Chorales [A. Schweitzer] continually begins anew. Chorale Title Riemen-schneider Alternatives Notes 1 O Ewigkeit, du Donnerwort R26 2 Du Friedensfurst, Herr Jesu Christ R42 3 Das walt' Gott Vater und Gott Sohn R224 4 Jesu, deine tiefen Wunden R256 5 Es ist gewisslich an der Zeit R260 R362 6 Ermuntre dich, mein schwacher Geist R9 R102 | General Discussions: Part 1 Bach wrote the cantata for the 24th Sunday after Trinity in his first year as Thomaskantor and music director of Leipzig's main churches. Mit Zorn und Grimm ümwenden. Schau an die große Sicherheit, Here gather round the wise men At Jesus' manger now, And seek him … There is no misfortune in all the world Dies alles ist kaum nennenswert, [2] In his book The Creative Development of Johann Sebastian Bach, Richard D. P. Jones describes the movement as "one of Bach's most imaginative conceptions, vivid in its portrayal of conflicting states of the soul". | Part 2 and for that length of time The unknown librettist of, German Text (verses in bold print set by Bach). Bach, the closing chorale from BWV 60. Chorale (S, A, T, B) The kings from out Sheba came then forth, Gold incense, myrrh did they then bring forth. the danger in misery Articles: The Origin of the Texts of the Chorales [A. Schweitzer] Es kann nicht lange dauren. Bach had composed a similarly structured cantata three weeks before, entitled Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109, which also featured a dialogue between Fear and Hope, given to one singer. / Furcht. Im heißen Pfuhl der Schmerzen! | Translations: Aria (alto, tenor): O Ewigkiet, du Donnerwort Recitativo (alto, tenor): O schwerer Gang zum letzen Kampf und Streite! Also termed the "chorale cantata year", the cycle has been called "the largest musical project that the composer ever undertook". Official sheet music for "Choral: O Ewigkeit, du Donnerwort, BWV 513" (Johann Sebastian Bach) for piano - PDF download, instant print & online streaming - ♪ audio samples (video) ♫ Key: F … | Evangelisches Gesangbuch 1995 Cantata No. Die vorerwähnte lange Nacht! Auf kurze Sünden dieser Welt who knows when death may come? such torture will last. therefore when I consider this long night That is indeed a fine and daring exchange What do I care about water, fire and sword? Empfindet weder Trost noch Rat! [2][3] The title page of the original parts bears a title which Bach wrote himself: "Dominica 24 / post Trinit. Vor allen Dingen hab in acht have been cruelly tortured by the devils, it never desists from its rage. Ich weiß für großer Traurigkeit If you appreciate the quality of this chorale and/or would like to help contribute to BachScholar's BACH CHORALE PROJECT, please CLICK HERE! The opening movement is a chorale fantasia containing a stanza from Johann Rist's "O Ewigkeit, du Donnerwort" and a biblical quotation from the Book of Genesis. [12] Dürr notes: "The fascination of these ariosos lies in their memorable and eloquent melodic line which presents the text in heightened speech. then finally the pain would have Von Sinnen toll, von Herzen blind, 1st MOVEMENT: O EWIGKEIT, DU DONNERWORT O ETERNITY, YOU WORD OF THUNDER (20:44 in this video) This is the chorale fantasia. Der Höllen Pein [2] The American musicologist Eric Chafe analyses that the quotes of the vox Christi are intensified each time by lengthening the quoted text: first "Selig sind die Toten", the second time "Selig sind die Toten, die in dem Herrn sterben" (... who die in the Lord), finally "Selig sind die Toten, die in dem Herrn sterben von nun an." They were acquired by the When composing the cantata “O Ewigkeit, du Donnerwort” (Eternity, thou thunderous word) BWV 60, Bach was faced with a particularly interesting challenge. [8][15], Alban Berg used Bach's chorale setting in his Violin Concerto. Coro: O Ewigkeit, du Donnerwort 2. O Ewigkeit, du Donnerwort Text and Translation of Chorale: EKG: 324 Author: Johann Rist (1642) Chorale Melody: Wach auf, mein Geist, erhebe dich (1642) / O Ewigkeit, du Donnerwort (1653) | Composer: Johann Schop / Johann Crüger Vocal Works by J.S. Ach ach, soll denn der Höllen Pein, it can never grow less. Wo lebt ein so beredter Mann, forever amidst fire and brimstone Mein ganz erschrocken Herz erbebt, dass mir die Zung am Gaumen klebt. o sword that pierces through my soul, [2] During Bach's tenure, the same two readings were prescribed for the Sunday every year: the epistle reading, Colossians 1:9–14, was a prayer from the Epistle to the Colossians for the congregation there, and the Gospel reading was the raising of Jairus' daughter as told in the Gospel of Matthew (Matthew 9:18–26). and end in time. If someone lies sick and rests We began with an organ chorale prelude, O Ewigkeit, du Donnerwort by Johann Gottfried Walter, a relative of JS Bach's who is known for his Musikalisches Lexicon, one of the first musical reference books written in German.The concerts in this series always follow an established pattern, so the chorale prelude led to a piece of unaccompanied polyphony, William Byrd's Beati mundo corde. / Hoffnung. for which you will weep in the midst of devils. along with the great pain, Lord Jesus, into your tent of joy. | The History of the Breitkopf Collection of J. S. Bach’s Four-Part Chorales [T. Braatz] | Part 4, EKG: 324 consider it often, o child of mankind: | Chorales BWV 301-350 | Dietel Chorale List c1734 Discussions: Ah God, how righteous you are, Als manches Laub das Erdreich trägt, rouse yourself, lost sheep, o sword that pierces through my soul, [8] In the fourth movement, Selig sind die Toten (Blessed are the dead, Revelation 14:13)[3] is the answer to the preceding recitative of Fear. [4] A horn, to support the chorale melodies, was requested only later under the word Viola, possibly in the 19th century. The orchestral accompaniment is assigned to a Baroque instrumental ensemble of horn, two oboes d'amore, strings and continuo. A Serious Consideration of Endless Eternity, O Ewigkeit, du Donnerwort, Ach, was ist das! Mich endlich ließ vermauren? Laß doch die Wollust dieser Welt, MIDI files of the Chorales: Cantatas BWV 1-197 Läßt nimmer ab zu toben. So hasset er doch solchen Pracht O Ewigkeit, du Donnerwort forms the musical ending to the second Notenbüchlein. let the false world and evil time Im Feur und Schwefel immerdar The cantata was first published in 1863 as part of the first complete edition of Bach's works, the Bach-Gesellschaft Ausgabe. Throughout the cantata, two allegorical figures, Furcht (Fear) and Hoffnung (Hope), engage in a dialogue. Wach auf, o Mensch, vom Sündenschlaf, Perhaps today is the last day, so terrifying as eternity. Johann Sebastian Bach composed the church cantata O Ewigkeit, du Donnerwort (O eternity, you word of thunder), BWV 20, in Leipzig for the first Sunday after Trinity and first performed it on 11 June 1724. There are five movements. [4][10] The chorale, the first stanza of Rist's hymn "O Ewigkeit, du Donnerwort" (O eternity, you word of thunder),[1] is sung by the alto (Fear), reinforced by the horn. O Schwert, das durch die Seele bohrt, O Ewigkeit, du Donnerwort, Chorale Prelude for Organ: Johann Tobias Krebs … Add to wish list At a Glance O eternity, you word of thunder, So wäre doch der Pein zuletzt Nimm du mich, wenn es dir gefällt, | Copyright Policy [4] The duration of the work has been stated as 20 minutes.[2]. Die Wollust kann ein' Augenblick In contrast to the chorale cantata BWV 20 which also begins with the same church hymn, this libretto takes the form of an intimate and intense dialogue. Nun aber, wenn du die Gefahr Ms. Bach St 74. Hie gilt fürwahr kein Scherzen! (CA.3106003). Ist doch kein Schluß vorhanden. / for / 4 voices / 2 oboes d'amore. Und ganz wird aufgehoben. Then let the lust of this world, For these pains will end as many as the leaves the earth bears, and soars above all the clouds | Chorales BWV 401-438 Contributed by Francis Browne (December 2003), Chorales BWV 250-438: It is a work without rest, [2], The last duet is no longer between Fear and Hope. Discussions: "[2], The closing chorale is "Es ist genug" (It is enough). Wie strafest du die bösen Knecht Angst, Hu, Schrecken, Feur und Blitz Recitativo (tenor): Kein Unglück ist in aller Welt zu finden 3. Aria (tenor): Ewigkeit, du machst mir bange 4. "O Ewigkeit, du Donnerwort," verse 1: Johann Rist 1642 and … | Preludi ai Corali - Quartetto Italiani di Viola Da Gamba how hard you punish an evil servant Composer Bach, Johann Sebastian Date of Composition 1700-1750 Number of voices 4 Genre Chorale Instrument Voice SATB Collections Yale Collection. Where lives a man so eloquent | Chorale Melodies: Sorted by Title Cold and heat will torment them, Alleluia! | Chorale Texts / Dialogue Between Fear and Hope / Fear. it carries on and on its game, | Part 3 in the devil’s pit in repayment? Number of voices: 3vv Voicing: ATB soli (SATB for chorale) O schwerer Gang zum letzten Kampf und Streite! as it was arranged in the beginning, Das bei den Teufeln wird beklagt. | Cantatas BWV 201-224 Der funfzig Jahr kaum leben kann, Aria (alto): O Mensch, errette deine Seele 7. [11], The second duet is a secco recitative. Kein Unglück ist in aller Welt, In movement 4, Fear is answered instead by the bass, the vox Christi(voice of C… | Chorales - N. Matt This chorale is FREE OF CHARGE for immediate download! Hymnals: Hymnals used by Bach [13] The melody begins with an unusual sequence of four notes progressing by steps of major seconds (whole tones), together spanning the interval of a tritone, also called "diabolus in musica". Analytical Commentary This rather complex sounding tonic expansion nonetheless begins and ends on the tonic chord. But now, if you have suffered Bei jenen Satanskindern. So schrecklich als die Ewigkeit. Ja schöner Tausch, ja wohl gewagt, Nothing can be found far and wide Chorale cantatas between Trinity and Easter: Later additions to the chorale cantata cycle: church cantata for the 24th Sunday after Trinity, "O Ewigkeit, du Donnerwort BWV 60; BC A 161 / Sacred cantata (24th Sunday after Trinity)", "O Ewigkeit, du Donnerwort / Eternity, O awesome word / BWV 60", "O Ewigkeit, du Donnerwort / Text and Translation of Chorale", "Chorale Melodies used in Bach's Vocal Works / O Ewigkeit, du Donnerwort", "Es ist genug / Text and Translation of Chorale", "Chorale Melodies used in Bach's Vocal Works / Es ist genung, so nimm, Herr, meinen Geist", Johann Sebastian Bach, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart*, Helmuth Rilling – Die Bach Kantate BWV 58-66, Bach - Ton Koopman, The Amsterdam Baroque Orchestra And Choir – Complete Cantatas - Volume 8, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki – Cantatas 15, Bach – Gardiner – Cantatas Vol. O Ewigkeit, Zeit ohne Zeit, ich weiss vor grosser Traurigkeit nicht, wo ich mich hinwende. ),[1] while Hope confirms "Mein Beistand ist schon da" (My Protector is already there). Was acht ich Wasser, Feur und Schwert [1] The music is intensified to an arioso twice: Fear sings the word martert (tortures) as a chromatic melisma to short chords in the continuo, and Hope stresses in a long melisma the last word ertragen (borne). Terry] | Cantatas BWV 51-100 it forces sighs and laments Chorale Texts: Sorted by Title | AMN BWV 508-524 from all of Satan’s children. ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo sheet music book by Johann Sebastian Bach (1685-1750): Carus Verlag at Sheet Music Plus. All this is scarcely worth mentioning, Zusamt der großen Pein betracht, Hin zur Vergeltung setzen! that he can express this matter? Nicht, wo ich mich hinwende. | Part 4 cease to love the world! | Part 3 as the number that men live here, O eternity, time without time, / Dialogus Zwischen Furcht u. Hoffnung. as many as the stars the heaven contains, | Part 3 Only eternity has no end, and become completely cancelled. | Other Vocal 1081-1089 Ah, flee the devil’s halter! Chorale Melody: Wach auf, mein Geist, erhebe dich (1642) / O Ewigkeit, du Donnerwort (1653) | Composer: Johann Schop / Johann Crüger, This text was used by Bach to begin his ambitious cycle of chorale cantatas on 11th June 1724. O Ewigkeit, Zeit ohne Zeit, in a bed that is richly [13] Dürr notes further that a similar scale of four notes occurs in Rist's hymn on the word Donnerwort in the first movement, but with the normal half-tone step to the last note. O du verfluchtes Menschenkind, | Poets & Composers it cannot last for long. [2] The instruments are shown separately for winds and strings, while the continuo, playing throughout, is not shown. In the following table of the movements, scoring, keys and time signatures are taken from the book by Bach scholar Alfred Dürr, using the symbol for common time (44). | Passion Chorale | Emblemata anguish, terror fire and lightning,

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